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Series Directed by

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Rob Burke... (5 episodes, 2017)
Ronan Burke... (5 episodes, 2017)
Paul Walker... (5 episodes, 2017)
Dusan Lazarevic... (5 episodes, 2018)
Declan O'Dwyer... (5 episodes, 2018)
Angelo Abela... (5 episodes, 2019)
Beryl Richards... (5 episodes, 2019)
Marek Losey... (2 episodes, 2018-2019)

Series Writing Credits

Vicki Lutas... (created by) (32 episodes, 2017-2019)
Vicki Lutas... (written by) (32 episodes, 2017-2019)
Vicki Lutas... (story by) (32 episodes, 2017-2019)
Vicki Lutas... (writer) (32 episodes, 2017-2019)
Anna McCleery... (created by) (32 episodes, 2017-2019)
Anna McCleery... (written by) (32 episodes, 2017-2019)
Anna McCleery... (story by) (32 episodes, 2017-2019)
Anna McCleery... (writer) (32 episodes, 2017-2019)
Kevin Rundle... (story consultant) (4 episodes, 2018-2019)
Kevin Rundle... (writer) (4 episodes, 2018-2019)
Kirstie Falkous... (writer) (3 episodes, 2017-2019)
Kirstie Falkous... (written by) (3 episodes, 2017-2019)
Paul Gerstenberger... (writer) (3 episodes, 2017-2018)
Tim Compton... (writer) (3 episodes, 2018-2019)
Zoë Lister... (writer) (2 episodes, 2019)
Neil Jones... (writer) (1 episode, 2017)
Lara Olsen... (writer) (1 episode, 2018)
Roanne Bardsley... (written by) (1 episode, 2019)

Series Cast

Freddy Carter ...
Jaylen Barron ...
Manpreet Bambra ...
Celine Buckens ...
Bruce Herbelin-Earle ...
Kerry Ingram ...
Carla Woodcock ...
Billy Angel ...
Geoffrey McGivern ...
Charlotte Jordan ... Gaby / ... 22 episodes, 2018-2019
Milo Twomey ...
Natalie Gumede ...
Navia Ziraili Robinson ...
Joe Ashman ...
Martin Bobb-Semple ...
Sadie Simm ...
Noah Huntley ... Elliot / ... 12 episodes, 2017-2018
Caroline Ford ...
Seth Carr ...
Sanchaez-Rain Li Brown ...
Tom Forbes ...
T'Nia Miller ...
Joe Sims ...
Paul Antony-Barber ...
Andrew Steele ...
Paul Luebke ... PC Derek / ... 6 episodes, 2017
Alice Bishop-Skinner ...
Abbie-Marie Price ...
Jodie Price ...
Holly Hayes ...
Ryan Sands ...
Linda Thorson ...
Mark Hugh-Williams ... Festival Islander / ... 2 episodes, 2017-2018
Trish Pope ... Fair goer / ... 2 episodes, 2018-2019
Andrew Greenough ... George / ... 2 episodes, 2017
Anna Passey ...
Nicola-Jayne Wells ...
Amanda Ryan ...
John Alan Roberts ...
Jack Harper ...
Troy Warton ...
Rochelle Neil ...
Dylan Woodcock ...
David Sterne ...
Declan Mason ...
Stacha Hicks ...
Chris Clarkson ...
Philippa Sarll ...
Simon Holmes ...
Danny Griffin ...
Lauren Bracken ...
Charlotte Dujardin ...
Bruno Brunozzi-Jones ...
Laura Pitt-Pulford ...
Colin Murtagh ...
Parrgash Kaur ...
Joanne James ...
Jermaine Allen ...
Tina Louise Owens ... Gala Guest / ... (uncredited) 3 episodes, 2018-2019
Ade Dimberline ... Party Goer (uncredited) 1 episode, 2018
Mark Fisher ... Medieval Local (uncredited) 1 episode, 2018
David Vickers ... Medevil Islander (uncredited) 1 episode, 2018
Phil Tillott ... Spectactor (uncredited) 1 episode, 2018
Persia Grey ... Spectator (uncredited) 1 episode, 2018
Aiden Tollerfield ... Spectator (uncredited) 1 episode, 2018
Shaun R. Sutton ... DJ (uncredited) 1 episode, 2018
Richard Price ... Party Guest (uncredited) 1 episode, 2019
Tony Dawson ... Gala Guest (uncredited) 1 episode, 2019
Rhiannah Rose Balcombe ... Drummer In Band (uncredited) 1 episode, 2019
Mark Anthony Gower ... Hotel Guest (uncredited) 1 episode, 2019

Series Produced by

Angelo Abela... producer (32 episodes, 2017-2019)
Vicki Lutas... executive producer / associate producer (31 episodes, 2017-2019)
Anna McCleery... executive producer / associate producer (31 episodes, 2017-2019)
Kate Little... executive producer (29 episodes, 2017-2019)
Claire Poyser... executive producer (29 episodes, 2017-2019)
Deborah Coombes... line producer (22 episodes, 2018-2019)
Rebecca Hodgson... executive producer (20 episodes, 2017-2018)
Tim Compton... producer (12 episodes, 2018-2019)
Dominique Bazay... executive producer (10 episodes, 2017)
Mary Owen... line producer (10 episodes, 2017)
Tamara Rothenberg... executive producer (10 episodes, 2017)
Lara Olsen... executive producer (7 episodes, 2018)

Series Music by

Mark Russell... (32 episodes, 2017-2019)

Series Cinematography by

Phil Wood... (17 episodes, 2017-2019)
Tony Coldwell... (10 episodes, 2018)
Annemarie Lean-Vercoe... (5 episodes, 2019)

Series Film Editing by

Simon Starling... (10 episodes, 2017-2018)
Ashley Turnbull... (9 episodes, 2017-2019)
Emma Collins... (6 episodes, 2019)
Ian Farr... (5 episodes, 2017)
David Long... (4 episodes, 2019)

Series Casting By

Rob Kelly... (20 episodes, 2017-2019)
Kerrie Mailey... (6 episodes, 2017-2019)

Series Production Design by

Anthea Nelson... (12 episodes, 2018-2019)
Monica Black... (10 episodes, 2017)
Paul Martin... (10 episodes, 2018)

Series Art Direction by

Bobbie Cousins... (10 episodes, 2017)
Hannah Hill... (10 episodes, 2018)
George Morris... standy art director (8 episodes, 2017)
Siobhan Pemberton... (2 episodes, 2018-2019)

Series Set Decoration by

Simon Lee... (10 episodes, 2018)
Tommy Tavernor... (10 episodes, 2018)
Emma Warren... (10 episodes, 2018)

Series Costume Design by

Arianna Dal Cero... (10 episodes, 2017)
Helen Beaumont... (8 episodes, 2018)

Series Makeup Department

Beki Goulding... makeup trainee / make-up/hair trainee / makeup artist / makeup/hair trainee (21 episodes, 2018-2019)
Nicola Springall... makeup artist (12 episodes, 2018-2019)
Gillian Walsh... makeup designer (11 episodes, 2018-2019)
Amy Carter... makeup artist (11 episodes, 2019)
Jules Greenan... hair & makeup daily (10 episodes, 2017)
Abi Lilley... junior hair stylist / junior makeup artist / makeup trainee (10 episodes, 2017)
Jutta Russell... makeup designer (10 episodes, 2017)
Sally Tynan... makeup supervisor (10 episodes, 2017)
Laura Bernice Watson... makeup dailies: daily (10 episodes, 2017)
Sally Watterston... hair stylist / makeup artist (10 episodes, 2017)
Amy Boyd... hair artist / makeup artist (10 episodes, 2018)
Adele Firth... makeup designer (10 episodes, 2018)
Janine Horsfall... makeup artist (10 episodes, 2018)
Jenna Shaw... makeup trainee: Daily (5 episodes, 2019)
Stephanie Eccles... work experience (2 episodes, 2018)
Melanie Doyle... makeup artist (1 episode, 2017)

Series Production Management

Jemimah Colley... post-production manager (27 episodes, 2017-2019)
Karen Radford... head of post production (27 episodes, 2017-2019)
Dean Short... unit manager (10 episodes, 2019)
Andy Picheta... unit manager (9 episodes, 2017)
Jonny Cope... unit manager (7 episodes, 2018-2019)
Sophie Pinch... unit manager (7 episodes, 2018)
Clare Shepherd... production manager (7 episodes, 2018)
Anna Graham... production manager (6 episodes, 2018-2019)
Nan Gourlay... production manager (5 episodes, 2019)
Joanna Vellacott... production manager (5 episodes, 2019)
Katie Kearney... production manager (2 episodes, 2018-2019)

Series Second Unit Director or Assistant Director

Sarah Lamb... trainee assistant director / third assistant director (12 episodes, 2017-2019)
Angelo Abela... second unit director (17 episodes, 2018-2019)
Marie Arbon... talent assistant director (12 episodes, 2018-2019)
Paul Dale... first assistant director (10 episodes, 2017-2018)
Dominic Threlfall... second assistant director (10 episodes, 2017)
Lucy Gough-Jones... third assistant director (10 episodes, 2018)
Amir Nazempour... talent assistant director / Talent Assistant Director (10 episodes, 2018)
Mark Roberts... second assistant director (10 episodes, 2018)
Henry Jay Gordon... third assistant director (9 episodes, 2017)
Andy Pearson... first assistant director (6 episodes, 2018)
Zane McLarin... third assistant director / additional third assistant director (5 episodes, 2019)
Darren Baba... second assistant director (7 episodes, 2019)
Tom Lancaster... first assistant director (7 episodes, 2019)
Mark Fenn... first assistant director / assistant director (6 episodes, 2018)
Amy Coop... second assistant director (5 episodes, 2019)
Davy Hughes... first assistant director (5 episodes, 2019)
Hugh McNally... third assistant director (5 episodes, 2019)
Max Myers... second unit director (5 episodes, 2019)
Nick Rae... first assistant director (4 episodes, 2017)
Alex Candlin... second unit director (3 episodes, 2018-2019)
Richard T. Harris... first assistant director / second assistant director (2 episodes, 2018-2019)
Trevor Kaye... first assistant director (1 episode, 2018-2019)
Joe Butterworth... runner (2 episodes, 2019)
Jamie Hetherington... Cover (1 episode, 2018)
Danny Scott-Smith... third assistant director (1 episode, 2019)
Gareth Webb... add. third assistant director (uncredited) (3 episodes, 2018-2019)
Lucy Eaton-Whitfield... additional third assistant director (uncredited) (2 episodes, 2017)
La' Toyah McDonald... additional first assistant director (uncredited) (1 episode, 2019)

Series Art Department

Sarah Miles... assistant art director / stand by art director / stand by art director: dailies (20 episodes, 2017-2018)
Mark Morris... dailies / stand by props dailies / stand-by props (12 episodes, 2017-2019)
Dean Martin... prop dressing/stby / props (12 episodes, 2018-2019)
Richie Sowden... property master (12 episodes, 2018-2019)
Liam Bright... Art Department Assistant (11 episodes, 2018-2019)
Holly Hadfield... standby art director / standby art director 2nd unit (11 episodes, 2018-2019)
Andrew Laybats... scenic artist / scenic painter (11 episodes, 2018-2019)
Becky Moore... petty cash buyer (11 episodes, 2018-2019)
Anna Turrell... art department assistant: dailies / art department assistant (11 episodes, 2018-2019)
Dale Burnley... dressing props (10 episodes, 2017)
Fiona Gallagher... production buyer (10 episodes, 2017)
Tim Roberts... props: dresser (10 episodes, 2017)
Andy Donovan... graphic designer (10 episodes, 2018)
Adam Eglesfield... set dresser (10 episodes, 2018)
Rod Lee... props: dailies (10 episodes, 2018)
Simon Lee... stand-by props (10 episodes, 2018)
Heather McIntyre... production buyer (10 episodes, 2018)
Nigel Place... props (10 episodes, 2018)
Harrison Wild... Standby Props (9 episodes, 2018)
Simon Knowles... Construction Manager (8 episodes, 2017)
Adele Hayter... Art Department Assistant (5 episodes, 2018)
Stephen Mildwater... graphic design (4 episodes, 2018-2019)
Kim Sellwood... graphic assistant (4 episodes, 2019)
David Cruickshank... graphic designer (3 episodes, 2019)
Rachel Garlick... storyboard artist (2 episodes, 2018-2019)
Joseph Wynne... stand-by art director: second unit (2 episodes, 2019)
Paul Tormey... production buyer (1 episode, 2018)

Series Sound Department

James Mulhearn... sound mixer (11 episodes, 2017-2019)
John St. Denis... adr mixer (10 episodes, 2017)
Patch Morrison... dialogue editor (10 episodes, 2018)
Patrick Morris... re-recording mixer (6 episodes, 2017-2018)
Daniel Pugh... re-recording mixer (5 episodes, 2017-2018)
Romain Drouillon... french dubbing mixer (5 episodes, 2017)
Christopher Querido... adr mixer / adr recordist (4 episodes, 2019)
Simon Picken... sound assistant: dailies (2 episodes, 2019)
Lee Sharp... sound recordist: second unit (2 episodes, 2019)
Adam Davies... foley artist (1 episode, 2017)
Gareth Hemes... boom operator: dailies (1 episode, 2018)
Paddy McGuirk... boom operator (1 episode, 2019)
James Russell... boom operator (1 episode, 2019)

Series Special Effects by

Scott MacIntyre... special effects supervisor (10 episodes, 2017)
Eddy Popplewell... special effects technician (10 episodes, 2017)
Mark Shelley... special effects supervisor (2 episodes, 2018-2019)
Wayne Bennett... special effects supervisor / special effects supervisor: Quicksilver SFX (2 episodes, 2018)
Mark Hutchinson... snow supervisor (1 episode, 2018)

Series Visual Effects by

Andy Donovan... visual effects artist (20 episodes, 2017-2018)
Paul Woodward... visual effects artist (2 episodes, 2019)
Becci Blood... visual effects producer (1 episode, 2019)
Tanvir Hanif... visual effects artist (1 episode, 2019)

Series Stunts

Sam Dent... horse master (10 episodes, 2017)
Matthew Sampson... stunt performer / stunts (4 episodes, 2017)
Steve Dent... stunt coordinator (3 episodes, 2017-2019)
Freya Baxter... stunt rider (2 episodes, 2017)
Will Dent... stunt performer (2 episodes, 2017)
Alice Barnes... stunt double (1 episode, 2019)
Callum Barnes... riding double (1 episode, 2019)
Annabel Canaven... stunt double (1 episode, 2019)
Oliver Dayman... stunt double (1 episode, 2019)
Josie Forman... stunt double (1 episode, 2019)
Izzy Lewis... riding double (1 episode, 2019)
Jazzmin Lusher... stunts (1 episode, 2019)
Chris Parry... riding double (1 episode, 2019)
Georgia Price... riding double (1 episode, 2019)
Tony Smart... stunt coordinator (1 episode, 2019)
Sam Stefan... stunt double (1 episode, 2019)
Hannah Taylor... riding double (1 episode, 2019)
Billie Jo White... riding double (1 episode, 2019)

Series Camera and Electrical Department

Sam Kirby... additional grip / trainee grip (21 episodes, 2017-2019)
Matt Squire... still photographer (13 episodes, 2018-2019)
Will Clements... digital imaging technician (12 episodes, 2018-2019)
Chris Hughes... key grip (11 episodes, 2017-2018)
Sean Beasley... focus puller (11 episodes, 2018-2019)
Robert Beck... camera operator / steadicam operator / second unit director of photography (11 episodes, 2018-2019)
Daniel Edwards... camera operator (11 episodes, 2018-2019)
Andrew Truckle... lighting technician (11 episodes, 2018-2019)
Neil Bradley... gimbal technician / second assistant camera: a camera / first assistant camera: a camera - dailies / first assistant camera: second unit - dailies / first assistant camera: c camera - dailies (11 episodes, 2019)
Steven Harvey... second assistant camera / camera trainee (11 episodes, 2019)
Jan Koblanski... second assistant camera: b camera (11 episodes, 2019)
Amy Morris... b cam second assistant camera dailies / camera trainee (11 episodes, 2019)
Jessica Oxley... second assistant camera dailies (11 episodes, 2019)
Izzy Brittle... camera trainee (10 episodes, 2017)
Rob Hart... camera operator/steadicam operator (10 episodes, 2017)
Peter Howard... first assistant camera (10 episodes, 2017)
Peter Howard... first assistant camera / camera operator: second unit (10 episodes, 2017)
Veronica Keszthelyi... second assistant camera (10 episodes, 2017)
Jessica Wray... second assistant camera (10 episodes, 2017)
Guillermo Álvarez Villaescusa... first assistant camera: 'b' camera: main unit (10 episodes, 2017)
Matt Jopling... camera trainee dailies / camera trainee: dailies (10 episodes, 2018-2019)
Doug Garside... digital imaging technician (10 episodes, 2018)
Samuel Grant... assistant camera (10 episodes, 2018)
Zoe Howard... camera trainee: 2nd assistant camera dailies (10 episodes, 2018)
Rob Shaw... 'c' camera: clapper loader - dailies (10 episodes, 2018)
Peter Nance... second assistant camera (9 episodes, 2018)
Edward Botham... second assistant camera / second assistant camera: c camera (8 episodes, 2017-2019)
Jim Nicholas James... electrician (8 episodes, 2018-2019)
Alec Caton... drone camera operator (7 episodes, 2018-2019)
Rob Tilly... drone pilot (7 episodes, 2018-2019)
Tim Pollard... 2nd unit director of photography (7 episodes, 2018)
Esther Vardy... second unit cinematographer and camera (6 episodes, 2018-2019)
Dahlia Al-Janabi... camera trainee: dailies (6 episodes, 2019)
George Telling... second assistant camera: 'a' camera, daily (5 episodes, 2017)
Steven Gardner... first assistant camera: dailies (5 episodes, 2018)
Luis Zarzo... camera trainee: dailies / second assistant camera: dailies (5 episodes, 2019)
Borja Berrosteguieta... first assistant camera: 'a' camera, dailies (4 episodes, 2017)
Matt Noon... dailies focus puller (4 episodes, 2018-2019)
Carl Noble... second assistant camera: dailies (4 episodes, 2019)
Jackson Taylor... focus puller: dailies (4 episodes, 2019)
Louis Vella... second unit camera operator / first assistant camera: 'a' camera, dailies (4 episodes, 2019)
Josh Tilley... camera trainee: dailies / camera trainee (3 episodes, 2017)
Tom Callander... drone operator (3 episodes, 2018)
Abi Timmins... camera trainee (3 episodes, 2018)
Trevor Chaisty... gaffer (2 episodes, 2018-2019)
Owen Cant... second assistant camera: dailies (2 episodes, 2018)
Sandra Coulson... focus puller: dailies (1 episode, 2018)
Rebecca Horsburgh... b camera grip (1 episode, 2018)
Mitchell Payne... second assistant camera dailies (1 episode, 2018)
William Tracey... gaffer (1 episode, 2018)
Anthony Burtwistle... camera trainee: 2nd unit (1 episode, 2019)
Emilio Schläppi... Steadicam Operator: dailies (1 episode, 2019)

Series Casting Department

Amy Damonte... casting assistant (23 episodes, 2017-2019)
Rob Kelly... original casting by (27 episodes, 2017-2019)
Kerrie Mailey... original casting by (27 episodes, 2017-2019)
JJ Bee... casting assistant (3 episodes, 2018-2019)

Series Costume and Wardrobe Department

Lea Bezoari... costume assistant (10 episodes, 2017)
Manveer Sagoo... costume assistant (10 episodes, 2017)
Isabella Vignola... costume supervisor (10 episodes, 2017)
Annie Stenhouse... costume trainee (10 episodes, 2018)
Zeb Lalljee... costume assistant (6 episodes, 2018)
Jo Lackenby... costumer (5 episodes, 2018)
Liberty McMillan-Parker... costume supervisor / costume assistant (5 episodes, 2018)
Laura Power... costumer (5 episodes, 2018)
Ceri Walford... costume supervisor (5 episodes, 2018)
Samantha Green... Costume Buyer (3 episodes, 2019)
Amy Cansdale... Costume Daily (2 episodes, 2019)
Emily Ann Watson... costume assistant (1 episode, 2018)
Charlotte Foreman... Principle costume standby (1 episode, 2019)
Created

Series Editorial Department

Neil Parker... colourist / colorist (32 episodes, 2017-2019)
Deryn Bendall... post-production coordinator (15 episodes, 2018-2019)
Kate Gordon... assistant editor (11 episodes, 2018-2019)
Leon Wright... assistant editor (11 episodes, 2019)
Katie Dunn... post-production coordinator (7 episodes, 2017)
Mark Swailes... assistant editor (7 episodes, 2017)
Piran Smith... assistant editor (6 episodes, 2018)
Robert Moorhead... assistant editor (4 episodes, 2019)
Jeffrey Corrin... Additional Post Production Services (uncredited) (31 episodes, 2017-2019)

Series Location Management

Charlie Thompson... location manager (10 episodes, 2017)
Jonny Cope... Unit Manager (7 episodes, 2018-2019)
Lucas Elliot Hilton... location assistant (3 episodes, 2018)
Craig Vance... location manager (2 episodes, 2018-2019)

Series Music Department

Mark Russell... musical director (10 episodes, 2018)
Lily Metcalfe... music coordinator (9 episodes, 2019)
Jeremy Birchall... additional music composer / additional music (3 episodes, 2018-2019)

Series Script and Continuity Department

Gretta Mullany... assistant script editor / script editor (20 episodes, 2017-2018)
Charlotte Dudson... script editor / junior script editor (12 episodes, 2018-2019)
Lauren Klee... script consultant (8 episodes, 2017)
Tom Williams... script executive (8 episodes, 2017)
Iain Andrew... script supervisor (7 episodes, 2018-2019)
Linda Gibson... script supervisor (5 episodes, 2017)
Neil McLarty... script supervisor daily / 2nd unit script supervisor / second unit script supervisor (4 episodes, 2018-2019)
Rebecca Hall... script supervisor (5 episodes, 2018)
Koreen Hollings... script supervisor (5 episodes, 2019)
Rebecca Ramsden... script editor (3 episodes, 2017)
Carley Armstrong... additional script supervisor / additional script supervisor: dailies (1 episode, 2017)
Rachel Stephenson... script supervisor (2 episodes, 2017)
Virginia Apicella... second unit script supervisor (2 episodes, 2018-2019)
Angharad Parry... script supervisor (2 episodes, 2018)
Mandy Mason... script supervisor (1 episode, 2018)
Top

Series Transportation Department

Howard Cawthorne... transportation captain (10 episodes, 2017)
Mark Morris... action vehicles / action vehicle supplier (4 episodes, 2017)

Series Additional Crew

Joanne Bibby... legal and business affairs (32 episodes, 2017-2019)
Sam Dent... horse master (26 episodes, 2017-2019)
Sharon Hughes... tutor (14 episodes, 2017-2019)
Gemma Rothwell... assistant production accountant / Assistant Production Accountant (31 episodes, 2017-2019)
Anita Phillips... legal and business affairs (26 episodes, 2017-2019)
Laura Shackleton... floor runner: dailies (22 episodes, 2018-2019)
Sascha Zakrzewski... production coordinator / production secretary (22 episodes, 2018-2019)
Alistair McMath... production technology (19 episodes, 2017-2019)
Gay Anderson... production accountant (17 episodes, 2018-2019)
Yvonne Lewis... accounts assistant (17 episodes, 2018-2019)
Emily Corte... floor runner (12 episodes, 2018-2019)
Gary Moyes... stills photographer (11 episodes, 2019)
Charlotte Dudson... production secretary (10 episodes, 2017)
Daniel Jackson... production runner (10 episodes, 2017)
Sarah Lamb... floor runner (10 episodes, 2017)
Will Marwood... production accountant (10 episodes, 2017)
Mog McIntyre... development editor (10 episodes, 2017)
John Catterall... production team / production runner (10 episodes, 2018)
Emma Conroy... floor runner / floor manager (10 episodes, 2018)
Patrick Jones... floor runner / floor manager (10 episodes, 2018)
Hannah Noonan... production runner / production secretary (6 episodes, 2018)
Jon Butterworth... floor runner (10 episodes, 2019)
Katie Tipton... additional floor pa (10 episodes, 2019)
Hernan Oritz Redondo... horse master (9 episodes, 2019)
Stephen Walker... production coordinator (8 episodes, 2017)
Craig Womersley... runner (8 episodes, 2017)
Helen Milner... compliance (6 episodes, 2017-2019)
Sarah Garratt... production runner / rushes runner (6 episodes, 2018-2019)
Abbie Anderson... rushes runner (5 episodes, 2019)
Hannah Cross... rushes runner (5 episodes, 2019)
Elle Crow... production runner (5 episodes, 2019)
Keely Milovsorov... production secretary (5 episodes, 2019)
Laura Bush... legal support assistant (4 episodes, 2018)
Katie Dunn... production coordinator (4 episodes, 2018)
Jamie Down... rushes runner (4 episodes, 2019)
Aimee Whelan... production secretary (4 episodes, 2019)
Rachel Hardy... multi-platform content / publicist / publicity head (3 episodes, 2017-2018)
Rory Hathaway... production runner: dailies (1 episode, 2018)
Calum Firth... horse groom (2 episodes, 2017)
Claire Jones... horse groom (2 episodes, 2017)
Kathleen Robinson... horse groom (2 episodes, 2017)
Chris White... horse groom (2 episodes, 2017)
Chelsea Yearsley... programme publicist (2 episodes, 2017)
Joe Butterworth... floor runner (2 episodes, 2018-2019)
Ciara Durnford... production runner (2 episodes, 2018-2019)
Charlotte Manifold... production secretary (2 episodes, 2018-2019)
Louisa Rose Mackleston... production assistant (1 episode, 2019)
John Davison... trainee accounts assistant (1 episode, 2018)
Sharon Kaur... production secretary (1 episode, 2018)
Izzy Lewis... horse groom (1 episode, 2018)
Caroline Malone... programme publicist (1 episode, 2018)
Hernan Ortiz... horse master (1 episode, 2018)
Matt Owens... fire safety coordinator / firefighter: invision (1 episode, 2018)
Chris Parry... horse groom (1 episode, 2018)
Franki Hackett... horse dept (uncredited) (32 episodes, 2017-2019)

Series Thanks

Mary Owen... in memory of: Line Producer and expert Horsewoman (1 episode, 2017)
Tinder, Inc.
Founded2012; 9 years ago
HeadquartersWest Hollywood, Los Angeles, California, United States
Area servedGlobal
OwnerMatch Group
Founder(s)
CEORenate Nyborg[1]
IndustrySoftware
Employees750 [2]
URLwww.tinder.com
Tinder
Example of swiping within Tinder
Developer(s)Tinder, Inc.
Initial releaseSeptember 12, 2012; 9 years ago
Operating systemiOS, Android, Web
Available in56 [3] languages
  • Arabic
  • Afrikaans
  • Basque
  • Bengali
  • Bulgarian
  • Catalan
  • Croatian
  • Danish
  • Dutch
  • English
  • Estonian
  • Finnish
  • French
  • Georgian
  • German
  • Greek
  • Hindi
  • Hebrew
  • Hungarian
  • Indonesian
  • Italian
  • Japanese
  • Khmer
  • Korean
  • Latvin
  • Lithuanian
  • Macedonian
  • Malay
  • Polish
  • Portuguese
  • Romanian
  • Russian
  • Serbian
  • Simplified Chinese
  • Slovak
  • Spanish
  • Swedish
  • Tagalog
  • Tamil
  • Telugu
  • Thai
  • Traditional Chinese
  • Turkish
  • Ukrainian
  • Vietnamese
Websitetinder.com
A Tinder profile on iOS. By swiping left or right, users can indicate if they want to reject or like other users. When two users swipe right on each other there is a match. After matching, there's the option to communicate by text or videocall.

Tinder is an online dating and geosocial networking application. Users anonymously 'swipe right' to like or 'swipe left' to dislike other users' profiles, which include their photo, a short bio, and a list of their interests. Tinder uses a 'double opt-in' system where both users must have 'swiped right' to match before they can exchange messages.[4][5][6][7]

Sean Rad founded Tinder in 2012 at a hackathon held at the startup incubator Hatch Labs in West Hollywood.[8][9][10] By 2014, Tinder was registering about one billion daily 'swipes' and reported that users logged into the app on average 11 times a day.[11] In 2015, Tinder was the fifth highest-grossing mobile app,[12] and in 2019 it surpassed Netflix in annual spending.[13] In 2020, Tinder had 6.2 million subscribers and 75 million monthly active users.[14] As of 2021, Tinder has recorded more than 65 billion matches worldwide.[15]

History[edit]

The original prototype for Tinder, called ‘MatchBox’ was built during a hackathon in February 2012 by Sean Rad and engineer Joe Munoz. The hackathon was hosted by Hatch Labs, a NY-based startup incubator with a West Hollywood outpost. Realizing the name MatchBox was too similar to Match.com Rad, his co-founders, and early employees renamed the company to Tinder. The company’s flame-themed logo remained consistent throughout the rebranding.[16]

2012: Prototype and launch[edit]

In January 2012, Sean Rad was hired as General Manager of Cardify, a credit card loyalty app launched by Hatch Labs. During a hackathon in his first month, Rad presented the idea for a dating app called Matchbox. Rad and engineer Joe Munoz built the prototype for MatchBox and presented the 'double opt-in' dating app on February 16, 2012.[17][16]

In March, co-founder Jonathan Badeen (front-end operator and later Tinder's CSO), and Chris Gulczynski (designer and later Tinder's CCO) joined Cardify.[18][19][20][21]

In May, while Cardify was going through Apple's App Store approval process, the team focused on MatchBox. During the same period, Alexa Mateen (Justin's sister) and her friend, Whitney Wolfe Herd, were hired as Cardify sales reps.[16]

In August 2012, Cardify was abandoned, Matchbox was renamed Tinder, and co-founder Justin Mateen [22](marketer and later Tinder's CMO) joined the company.[16]

In September 2012, Tinder soft-launched in the App Store. It was then launched at several college campuses and started to quickly expand.[23]

2013: Swipe feature developed[edit]

In May 2013, Tinder ranked in the top 25 social networking sites according to app data. Tinder’s selection function, which was initially click-based, evolved into the company’s swipe feature. The feature was established when Rad and Badeen, interested in gamification - modeled the feature off a deck of cards. Badeen then streamlined the action following trial on a bathroom mirror.[24] Tinder has been credited, with popularizing the swipe feature many other companies now use.[25][26][27][28][29][30][31]

2014–2016: Growth[edit]

By October 2014, Tinder users completed over one billion swipes per day, producing about twelve million matches per day. By this time, Tinder's average user generally spent about 90 minutes a day on the app.[11]

Founder Sean Rad served as Tinder's CEO until March 2015, when he was replaced by former eBay and Microsoft executive Chris Payne. Rad returned as CEO in August 2015.[32]

In 2015 Tinder released its 'Rewind' function, its 'Super Like' function, and retired its Tinder “Moments” and “Last Active” feature.[33][34][35][36] In January 2015 Tinder acquired Chill, the developers of Tappy, a mobile messenger that uses 'images and ephemerality'.[37]

In 2016, Tinder was the most popular dating app in the United States, holding 25.6% market share of monthly users.[38] On the company's third quarter earnings call, Match Group’s CEO Greg Blatt described the popular dating app Tinder as a 'rocket' and the 'future of this business.'[39]

In September 2016, the company also initiated testing of its “Boost” functionality in Australia.[40] The feature went live for all users in October of that year.[41][42]

In October 2016, Tinder announced the opening of its first office in Silicon Valley in the hope of more effectively recruiting technical employees.[43]

In November 2016, Tinder introduced more options for gender selection.[44]

In December 2016, Greg Blatt, CEO and chairman of Tinder’s parent company, Match Group, took over as interim CEO of Tinder.[45] Sean Rad stepped down as CEO of Tinder, becoming Chairman of the company.

2017: Match merger with Tinder[edit]

Tinder had annual revenue of $403 million and accounted for 31% of Match Group’s 2017 annual revenue of $1.28 billion.[46] In the same year, Tinder surpassed Netflix as the highest grossing app on the app store.[47] Match Group’s market cap as of December 28, 2017 was $10.03 billion.[48]

In 2017, Tinder remained Match Group’s strongest earner within their portfolio.[49]

In March 2017, Tinder launched Tinder Online, a web-optimized version of the dating.[50] Initially, due to testing, it was only available in Argentina, Brazil, Colombia, Indonesia, Italy, Mexico, Philippines and Sweden and didn't include special features such as 'Super Likes' or 'Tinder Boost.'[51] Tinder Online launched globally in September 2017.[52] During the launch of the official web version, Tinder took legal action to shut down third-party apps providing a web extension to use the Tinder app from a desktop computer.[53]

In July, Match Group merged with Tinder, for approximately $3 billion.[54]

In August, Tinder Gold, a members-only service of exclusive features launched.[55] Tinder Gold became an instant hit, boosting Match Group’s total revenue by 19% compared to 2016.[56] This boost in revenue and profits came as Tinder’s paid member count rose by a record 476,000 to more than 2.5 million, driven by product changes and technology improvements.[57] The popularity of Tinder Gold led to a surge in Match Group shares and record high share prices. Greg Blatt, Match Group’s then-CEO, called Tinder’s performance “fantastic,” and stated that the company was driving most of Match Group’s growth in late 2017.[56]

Greg Blatt resigned from Match Group and Tinder in 2017 following allegations of sexual harassment.[58] He was replaced by Elie Seidman.

2018 - 2019[edit]

In 2018, Tinder had annual revenue of $805 million and accounted for 48% of Match Group’s 2018 annual revenue of $1.67 billion. Match Group’s market cap as of December 30, 2018 was $15.33 billion.[48]

On August 6, 2018, Tinder had over 3.7 million paid subscribers, up 81 percent over the same quarter in 2017.[59] On August 21, 2018, Tinder launched Tinder University, a feature that allows college students to connect with other students on their campus and at nearby schools.[60]

In 2019, Tinder had annual revenue of $1.152 billion and accounted for 58% of Match Group’s total 2019 annual revenue of $2.0 billion. Match Group’s market cap as of December 30, 2019 was $21.09 billion.[48]

On May 10, it was reported that Tinder was planning for a lighter version app called Tinder Lite aimed at growing markets where data usage, bandwidth and storage space are a concern.[61]

On August 6, Tinder had 5.2 million paying subscribers at the end of 2019's second quarter, up 1.5 million from the year-ago quarter and up 503,000 from the first quarter of 2019.[62] Tinder became the highest grossing non-gaming app, beating Netflix[63]. Tinder's subscriber growth led Match Group's shares to the best single-day gain in their history on August 7,[64] adding more than $5 billion to the company's market capitalization.[65]

On September 12, Tinder relaunched Swipe Night, an interactive series where users make decisions following a storyline. Swipe Night had previously been launched in October 2019. It was slated to be launched internationally in March 2020, but it was postponed until September due to the COVID-19 pandemic. Swipe Night's international launch included multiple countries and languages.[66] The three major decisions made in each episode of the interactive series displays on the user's profile and can be used for matching potential.

2020[edit]

In 2020, Tinder had annual revenue of $1.355 billion and accounted for 58% of Match Group’s 2020 revenue of $2.34 billion. Match Group’s market cap as of December 23, 2020 was $40.45 billion.[48]

In January 2020, the Tinder administration enabled a panic button and anti-catfishing tech to improve the safety of US users. In the future, these features should become globally available. If something goes wrong on a date, a user can hit a panic button, transmit accurate location data, and call emergency services. To use this feature, users must download and install the Noonlight app.[67] Also, before going to a meeting, users are required to take selfies to prove their photos in Tinder profiles match their real identities.[68]

In response to the global COVID-19 pandemic, in March 2020, Tinder temporarily made its Passport feature available for free to all of its users worldwide. Previously this feature had been only accessible to users who had purchased a subscription.[69]

In August, Tinder revealed plans for their Platinum subscription plan, which gives additional value beyond Tinder's current subscription plan Gold.[70] The same month, Jim Lanzone took over as CEO.

On September 1, Tinder was banned in Pakistan in a crackdown on what the Pakistani government deemed 'immoral content'.[71][72][73][74]

On November 4, Tinder reported that it did better-than-expected for the third quarter's earnings, the app saw a growth of revenue and an increase in subscribers during the third quarter, even though it was in the middle of the pandemic. The app was able to grow by 15% more users since the third quarter of 2019 and received a 16% boost to subscribers — Tinder has 6.6 million subscribers globally, growing even more since June, when the company reported 6.2 million.[75]

2021 - Present[edit]

Match Group’s market cap as of October 14, 2021 was $44.59 billion.[48]

In February 2021, Tinder announced it would be launching a range of mobile accessories under the brand name Tinder Made.[76] The app reported that month an all-time high in users ready to 'go on a date' as opposed to virtual and online chats during the height of the pandemic in the United States. It gave away pairs of testing kits to some matches to encourage responsible behavior as users begin to meet in person again.[77]

In March 2021, Tinder announced a service that would let users run background checks on potential matches after an investment in Garbo, a company that 'collects public records and reports of violence or abuse, including arrests, convictions, restraining orders, harassment, and other violent crimes'.[78] Garbo does not publicize drug possession charges or traffic violations, citing disproportionate incarceration. This service comes with a fee that has not yet been disclosed to users.[49]

In August 2021, Tinder announced to introduce an ID Verification service available for users around the world, in order to tackle catfishing or duping someone into a relationship by using false pictures and information.[79]

In September 2021, Jim Lanzone announced that he was stepping down from his position of Chief Executive to pursue a new role with Yahoo.[80] This prompted Tinder to name Renate Nyborg as the CEO of Tinder. She is the company's first female CEO.[81]

In December 2021, Nyborg announced that the company is working on creating a metaverse called Tinderverse, a shared virtual reality. The company is also testing an in-app currency users can earn as a reward for good behavior, allowing them to pay for the platform's premium services.[82]

Operation[edit]

After building a profile with a Facebook login or cell phone number, users can swipe yes (right) or no (left) to determine if they have a potential romantic match . Chatting on Tinder is only available between two users that have swiped right on one another's photos.[83][84] The selections a user makes are not known to other users unless two individuals swipe right on each other's profiles. However, once the user has matches on the app, they are able to send personal photos, called 'Tinder Moments', to all matches at once, allowing each match to like or not like the photos. The site also has verified profiles for public figures, so that celebrities and other public figures can verify they are who they are when using the app.[85][86]

The app is currently used in about 196 countries and is available in 56 languages.

Financials[edit]

Since merging with Tinder in July 2017, Match Group’s market capitalization has grown from $8.34 billion to $44.59 billion as of October 14, 2021.[48] In August 2021, Morgan Stanley valued Tinder's worth at $42 billion.[87][88] The valuation is based on a multiple of 40x EBITDA, similar to its counterpart Bumble.[87]

In March 2014, media and internet conglomerate IAC increased its majority stake in Tinder, a move that which is believed to have valued Tinder at several billion dollars.[26] In July 2015, Tinder was valued at $1.35 billion by Bank of America Merrill Lynch based upon an estimate of $27 per user on an estimated user base of 50 million with an additional bullish estimate of $3 billion by taking the average of the IPOs of similar companies. Analysts also estimated that Tinder had about half a million paid users within its userbase that consisted mostly of free users.[89] The monetization of the site has come through leaving the basic app free and then adding different in-app purchase options for additional functions.[27]

Paid subscriptions[edit]

In March 2015, Tinder released its paid service, Tinder Plus, a feature allowing unlimited matches, whereas the free Tinder app limits the number of right swipes in a 12-hour period. It has met with controversy over limiting the number of 'likes' a free user can give in a certain amount of time, as well as charging prices for different age groups.[90] The price of a Tinder Plus subscription was £14.99/US$19.99 per month for users over 28, while the service for a user 28 and under was £3.99/US$9.99 per month.[91][92]

Free Dating In Created In 2017

In 2016, Tinder independently increased paying members by nearly 1 million, while Match Group's 44 other brands, added just 1.4 million.[39]

In June 2017, Tinder launched Tinder Gold, a members-only service that offers users Tinder’s most exclusive features: Passport, Rewind, Unlimited Likes, Likes You, five Super Likes per day, one Boost per month, and more profile controls. The price of a monthly membership started at $14.99 per month for users under 30 years old and $29.99 per month for users over 30 years old.[93]

10 Best Free Dating Sites

As of December 2020, Tinder had 6.6 million paid users.[94] According to a Match Group SEC filing, the growth in international and North America average subscribers was primarily driven by Tinder.[95]

Users[edit]

Tinder is used widely throughout the world and is available in 190 countries and 56 languages.[96] As of September 2021, an estimated 75 million people used the app every month. In late 2014, Tinder users averaged 12 million matches per day. However, to get to those 12 million matches, users collectively made around 1 billion swipes per day. Tinder now limits users’ number of available swipes per 12 hours based on an algorithm to make sure users were actually looking at profiles and not just spamming the app to rack up random matches.[97] The minimum age to sign up and use Tinder was 18. As of June 2016, Tinder is no longer usable by anyone under 18. If minors were found being under 18, they were banned from using Tinder until they are 18.[98][99] As of April 2015, Tinder users swiped through 1.6 billion Tinder profiles and made more than 26 million matches per day.[100] More than 558 billion matches have been made since Tinder launched in 2012.[101]

Features[edit]

  • Swipe is central to Tinder's design. The app's algorithm provides users, swipe right to 'like' potential matches and swipe left to continue on their search from the compatible matches.[102]
  • Messaging is also a heavily utilized feature. Once a user matches with another user, they're able to exchange text messages on the app.[103]
  • Face to Face is Tinder's video chat feature that allows users who have matched to see each other virtually. It was implemented in July 2020.[104]
  • Instagram integration lets users view other users' Instagram profiles.[105]
  • Common Connections allows users to see whether they share a mutual Facebook friend with a match (a first-degree connection on Tinder) or when a user and their match have two separate friends who happen to be friends with each other (considered second-degree on Tinder).[105][106]
  • Tinder Gold, introduced worldwide in August 2017, is a premium subscription feature that allows the user to see those who have already liked them before swiping.[107]
  • Panic button was introduced in the US in January 2020. The feature provides emergency assistance, location tracking, and photo verification.[108]
  • Traveler alert was introduced in 2019 to alert Tinder users of the LGBTQ+ community of possible penalization they are subject to when they travel to a country or geographical location that does not allow such interaction. This feature automatically hides users' profiles in countries that prohibit same-sex relationships, then allowing the user to decide if they prefer to stay hidden or not.[109]
  • Plus One was announced by Tinder in October 2021 as a way for users to connect with each other on the Explore page to arrange a date for weddings. Users are able to signify if they are looking for, or are willing to be a wedding date.[110]

Advertising[edit]

An ad campaign launched by 'The Barn' internship program of Bartle Bogle Hegarty (BBH) used Tinder profiles to promote their NYC Puppy Rescue Project.[111] Using Facebook pet profiles, BBH was able to add them to the Tinder network. The campaign received media coverage from Slate, Inc., The Huffington Post, and others.[112] In April 2015, Tinder revealed their first sponsored ad promoting Budweiser's next #Whatever, USA campaign.[113]

On December 11, Tinder announced their partnership with popular artist Megan Thee Stallion for the Put Yourself Out There Challenge, giving $10,000 to users who made unique profiles.[114]

Lawsuits[edit]

On June 30, 2014, former vice president of marketing, Whitney Wolfe, filed a sexual harassment and sex discrimination suit in Los Angeles County Superior Court against IAC-owned Match Group, the parent company of Tinder. The lawsuit alleged that Rad and Mateen had engaged in discrimination, sexual harassment, and retaliation against her, while Tinder's corporate supervisor, IAC's Sam Yagan, did nothing.[115] IAC suspended CMO Mateen from his position pending an ongoing investigation, and stated that it 'acknowledges that Mateen sent private messages containing 'inappropriate content, but it believes Mateen, Rad and the company are innocent of the allegations'.[116] The suit was settled with no admission of wrongdoing, and Wolfe reportedly received over $1 million from the settlement.[19][117]

In March, 2018 Match Group sued Bumble, arguing that the dating app was guilty of patent infringement and of stealing trade secrets from Tinder.[118] In June 2020, an undisclosed settlement was reached between Match Group and Bumble to settle all litigations.[119]

In December 2018, The Verge reported that Tinder had dismissed Rosette Pambakian, the company's vice president of marketing and communication. Pambakian alleged former Match Group and IAC CEO Greg Blatt, sexually assaulted her in a hotel room following a company party in December 2016. She further accuses the company of firing her when she reported the incident.[120][121]

In September 2019, the Federal Trade Commission sued Tinder's parent company, The Match Group, for knowingly using and/or creating fake users to bait men into paying for subscriptions. The claim includes romance scams, phishing scams, fraudulent advertising, and extortion scams. The suit claims that The Match Group indirectly profited from these scams at the consumers' expense.[122]

In August 2018, co-founders of Tinder (Sean Rad and Justin Mateen) and eight other former and current executives of the popular dating app filed a lawsuit against Match Group and IAC, alleging that they manipulated the 2017 valuation of the company to deny them of billions of dollars they were owed.[123] The suit charges that executives of Match Group and IAC deliberately manipulated the data given to the banks, overestimating expenses and underestimating potential revenue growth, in order to keep the 2017 valuation artificially low. Tinder's 2017 valuation was set at $3 billion, unchanged from a valuation that had been done two years earlier, despite rapid growth in revenue and subscribers.[123] The plaintiffs seek upwards of $2 billion in damages. The trial is scheduled to begin on November 8, 2021.[124]

Criticism[edit]

Privacy concerns[edit]

There are also cybersecurity, data privacy, and public health concerns about Tinder. Public health officials in Rhode Island and Utah have claimed that Tinder and similar apps are responsible for an uptick of some STDs.[125] In February 2014, security researchers in New York found a flaw which made it possible to find users' precise locations for between 40 and 165 days. Tinder's spokesperson, Rosette Pambakian, said the issue was resolved within 48 hours. Tinder CEO Sean Rad said in a statement that shortly after being contacted, Tinder implemented specific measures to enhance location security and further obscure location data.[126]

In August 2016, two engineers found another flaw that showed all users' matches' exact location. The location was updated every time a user logged into the app and it worked even for blocked matches. The issue was detected in March 2016, but it was not fixed until August 2016.[127] In July 2017, a study published in Advances in Intelligent Systems and Computing found that Tinder users are excessively willing to disclose their personally identifiable information.[128] In September 2017, The Guardian published an article by a journalist who requested all data that the Tinder app had recorded about her from the company and found that Tinder stores all user messages, user locations and times, the characteristics of other users who interest a particular user, the characteristics of particular users of interest to other users, and the length of time users spend looking at particular pictures, which for the journalist amounted to 800 pages of detail.[129]

Safety[edit]

In 2021, the organization partnered with and invested in Garbo, a non-profit background check company. The partnership was intended to add a feature enabling users to run background checks on their matches. Critics believed the integration of background check software discriminates against one-third of the adult working population in the US who have criminal records. Another issue that critics raised was the unreliability of background checks since they disproportionately impact people from Black and other ethnic minorities. A Prison Policy Initiative spokesperson claimed that because the US applies laws unequally, introducing criminal background checks to dating apps would filter out marginalized groups of people. Moreover, public records and court documents often contain erroneous or outdated information.[130] Garbo does not advertise drug possession charges or traffic violations in attempt to combat further marginalization.[131]

Reception[edit]

Reviews[edit]

The New York Times wrote that the wide use of Tinder could be attributed not to what Tinder was doing right but to flaws in the models of earlier dating software, which relied on mathematical algorithms to select potential partners. Relationship experts interviewed by the newspaper stated that users used the photographs that come in succession on the app to derive cues as to social status, confidence levels, and personal interests.[11]Marie Claire wrote that the app was 'easy to use on the run,' 'natural,' and 'addictive' due to the game-style of Tinder, but that '... it's hard to focus,' and Tinder 'is still very casual sex-focused--many are only on Tinder for a quick hook-up, so if it's a serious relationship you're after this app might not be for you.'[132]

Top 50 Free Dating Sites

In September 2020, Pakistan announced that it would ban five dating apps, including Tinder; this is because Pakistan's government believes that apps are providing immoral/indecent content to users who do not comply with their local laws.[133]

In popular culture[edit]

Free Dating In Created In 2017

Family Guy (season 15) Episode 'The Dating Game' parodies the app.[citation needed]

Easy (season 1) Episode 'Utopia' involves a married couple who discover Tinder and uses it for a threesome.[134]

Jane The Virgin (season 2) In 'Chapter Thirty-Two' Jane wishes to start dating again, and uses a dating app called 'Cynder' which is the shows' spinoff of Tinder.[135]

Sideswiped (TV series) In the TV series Sideswiped a woman finds herself single on her 35th birthday, and decides to go on dates with all 252 of her Tinder matches.[136]

Maid (miniseries) Episode 'Cashmere' Alex invites a Tinder match over to the house she is cleaning on Thanksgiving.[137]

Natasha Aponte incident[edit]

In August 2018, Natasha Aponte made headlines after conning dozens of men she had matched with on Tinder to meet her in Union Square, Manhattan at 6pm for a 'Live Tinder' dating competition.[138][139][140][141] According to some, they received an unsolicited message from Aponte – inviting them to meet her. Upon arrival, the men discovered that they had been conned into competing for Aponte, who explained that 'she was over dating apps and wanted instead for her suitors to participate in a competition.'[138][139][140] The stunt was intended to point out the superficiality of online dating apps like Tinder which function on a 'hot or not' ideology. Producer Ron Bliss told CBS News that 'there's a lot of issues related to the online dating, it's sexist, ableist ... there's a lot of problems.'[142]

User behavior[edit]

Men use dating apps and websites at a higher frequency than women do—measured by frequency of use and number of users both.[143] The first study on swiping strategies, conducted by Queen Mary University in London, reveals that 'men tend to like a large proportion of the women they view but receive only a tiny fraction of matches in return—just 0.6 percent'.[144] On the contrary, women are much more selective about who they swipe for, but match at a 10% higher rate than males do. The study then went on to analyze the difference in responsivity between males and females—finding that women are more engaged and take longer to craft a response, while men usually send shorter messages, averaging 12 characters in length.[144]

According to University of Texas at Austin psychologist David Buss, 'Apps like Tinder and OkCupid give people the impression that there are thousands or millions of potential mates out there. One dimension of this is the impact it has on men's psychology. When there is ... a perceived surplus of women, the whole mating system tends to shift towards short-term dating,'[30] and there is a feeling of disconnect when choosing future partners.[145] In addition, an article written for The Atlantic suggested that the appearance of an abundance of potential partners causes online daters to be less likely to choose a partner and be less satisfied with their choices of partners.[146][147]

In a 2018 article written for The Atlantic, it is mentioned that data released by Tinder itself in 2018 has shown that of the 1.6 billion swipes it records per day, only 26 million results in matches (a match rate of approximately only 1.63%) [147] Also, a Tinder user interviewed anonymously in an article published in the December 2018 issue of The Atlantic estimated that only one in 10 of their matches actually resulted in an exchange of messages with the other user they were matched with, with another anonymous Tinder user saying, 'Getting right-swiped is a good ego boost even if I have no intention of meeting someone,' leading The Atlantic article author to conclude 'Unless you are exceptionally good-looking, the thing online dating may be best at is sucking up large amounts of time.'[147]

In August 2015, journalist Nancy Jo Sales wrote in Vanity Fair that Tinder operates within a culture of users seeking sex without relationships.[30] In 2017, the Department of Communications Studies at Texas Tech University conducted a study to see how infidelity was connected to the Tinder app. The experiment was conducted on 550 students from an unnamed university in the Southwestern United States. The students first provided their demographic information and then answered questions regarding Tinder's link to infidelity. The results showed that more than half reported having seen somebody on Tinder who they knew was in an exclusive relationship (63.9%). 73.1% of participants reported that they knew male friends who used Tinder while in a relationship, and 56.1% reported that they had female friends who used Tinder while in a relationship.[148] Psychologists Douglas T. Kenrick, Sara E. Gutierres, Laurie L. Goldberg, Steven Neuberg, Kristin L. Zierk, and Jacquelyn M. Krones have demonstrated experimentally that following exposure to photographs or stories about desirable potential mates, human subjects decrease their ratings of commitment to their current partners.[149][150]David Buss has estimated that approximately 30 percent of the men on Tinder are married.[151]

Before 2012, most online dating services matched people according to their autobiographical information, such as interests, hobbies, future plans, among other things. But the advent of Tinder that year meant that first impressions could play a crucial role. For social scientists studying human courtship behavior, Tinder offers a much simpler environment than its predecessors. In 2016, Gareth Tyson of the Queen Mary University of London and his colleagues published a paper analyzing the behavior of Tinder users in New York City and London. In order to minimize the number of variables, they created profiles of white heterosexual people only. For each sex, there were three accounts using stock photographs, two with actual photographs of volunteers, one with no photos whatsoever, and one that was apparently deactivated. The researchers pointedly only used pictures of people of average physical attractiveness. Tyson and his team wrote an algorithm that collected all the matches' biographical information, liked them all, and then counted the number of returning likes.[152]

They found that men and women employed drastically different mating strategies. Men liked a large proportion of the profiles they viewed, but received returning likes only 0.6% of the time; women were much more selective but received matches 10% of the time. Men received matches at a much slower rate than women. Once they received a match, women were far more likely than men to send a message, 21% compared to 7%, but they took more time before doing so. Tyson and his team found that for the first two-thirds of messages from each sex, women sent them within 18 minutes of receiving a match compared to five minutes for men. Men's first messages had an average of a dozen characters and were typical simple greetings; by contrast, initial messages by women averaged 122 characters.[152]

Tyson and his collaborators found that the male profiles that had three profile pictures received 238 matches while the male profiles with only one profile picture received only 44 matches (or approximately a 5 to 1 ratio). Additionally, male profiles that had a biography received 69 matches while those without it received only 16 matches (or approximately a 4 to 1 ratio). By sending out questionnaires to frequent Tinder users, the researchers discovered that the reason why men tended to like a large proportion of the women they saw was to increase their chances of getting a match. This led to a feedback loop in which men liked more and more of the profiles they saw while women could afford to be even more selective in liking profiles because of a greater probability of a match. The feedback loop's mathematical limit occurs when men like all profiles they see while women find a match whenever they like a profile. It was not known whether some evolutionarily stable strategy has emerged, nor has Tinder revealed such information.[152]

Tyson and his team found that even though the men-to-women ratio of their data set was approximately one, the male profiles received 8,248 matches in total while the female profiles received only 532 matches in total because the vast majority of the matches for both the male and female profiles came from male profiles (with 86 percent of the matches for the male profiles alone coming from other male profiles), leading the researchers to conclude that homosexual men were 'far more active in liking than heterosexual women.' On the other hand, the deactivated male account received all of its matches from women. The researchers were not sure why this happened.[152]

See also[edit]

  • Stable marriage problem and the Gale–Shapley algorithm

References[edit]

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    • '...after all, she was dating his best friend and they all worked together) and he did, in fact, give in a number of times.'
    • 'Sean knew she wasn’t a founder… we all knew she wasn’t a founder,' one source said on the phone. 'But he wanted to help her career, and he knew that having female representation in the press could only be a good thing for the company.'
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    • 'One employee, who was present in a meeting between Sean and Whitney, says that after the Harper’s Bazaar article and a couple of others like it, Sean explained that Whitney should not have been using the term co-founder in the press because it was confusing with the media and internally at Tinder.
    • 'That same witness says that Whitney sent a series of messages to Sean shortly following the article’s publication in which she expresses that she knew she wasn’t supposed to be going by co-founder for that article.'
    • 'There’s also evidence pointing to the fact that she may have used the term co-founder behind the backs of other founders and against their wishes, which adds even more fog to the situation.'
    • 'Yet, it seems that Whitney was well aware that her use of the term co-founder was for the purposes of doing press for the company and not because she actually co-founded the company.'
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External links[edit]

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